Asclepius was the ancient Greek god of medicine and he was also credited with powers of prophecy. The god had several sanctuaries across Greece; the most famous was at Epidaurus which became an important centre of healing in both ancient Greek and Roman times and was the site of athletic, dramatic, and musical Games held in Asclepius’ honour every four years.
In Greek mythology Asclepius (or Asklepios) was a demi-god hero as he was the son of divine Apollo, and his mother was the mortal Koronis from Thessaly. In some accounts Koronis abandoned her child near Epidaurus in shame for his illegitimacy and left the baby to be looked after by a goat and a dog. However, in a different version of the story Koronis was killed by Apollo for being unfaithful, whilst, in yet another version, the Messenian Arsinoe was the unfortunate mother of Asclepius.
The motherless Asclepius was then brought up by his father who gave him the gift of healing and the secrets of medicine using plants and herbs. Asclepius was also tutored by Cheiron, the wise centaur who lived on Mt. Pelion. Asclepius had many children - two sons: Machaon and Podaleirios, and four daughters: Iaso, Panacea, Aceso, and Aglaia. In some traditions he was married to Hygeia, also a goddess of health; in another version she was his daughter and Asclepius married Epione. The descendants of Asclepius, who continued in the art of medicine and healing, were known as the Asclepiads. Machaon, for example, helped Menelaos when he was wounded in the Trojan War, but the most famous doctor of the family was undoubtedly Hippocrates.
Asclepius met a tragic end when he was killed by a thunderbolt thrown by Zeus. This was because the father of the gods saw Asclepius and his medical skills as a threat to the eternal division between humanity and the gods, especially following rumours that Asclepius’ healing powers were so formidable that he could even raise the dead (for which he used the blood of Medusa given to him by Athena). Apollo protested against his son’s treatment but was himself punished by Zeus for impiety and made to serve Admetos, the king of Thessaly, for one year. Asclepius himself was deified following his death, and in some local myths he also became the constellation Ophiuchus.
The god was particularly worshipped at the sanctuary of Epidaurus (founded in the 6th century BCE), known as the Asklepieion, because he was believed to have been born on the nearby Mt. Titthion. The site, the most important healing centre in the ancient world, was visited from all over Greece by those seeking alleviation of their ailments by either divine intervention or medicines administered by the resident priests and it had many important buildings. These included a large temple (380-375 BCE) which contained a larger than life-size statue of Asclepius by Thrasymedes and the Thymele (360-330 BCE) - a round marble building which had a mysterious underground labyrinth, perhaps containing snakes. These were associated with Asklepius and symbolised regeneration, as snakes were thought to live both below and above ground and were also connected to prophecy as they knew the hidden secrets below ground.
At Epidaurus there was also the columned Abato or Enkoimeterion in which patients, after having gone through several purification rituals, slept overnight and awaited dreams where the god would appear and offer cures and remedies. The cures would then later be self-administered or carried out by resident priests in the more complex cases. Thankful patients often left votive offerings at the site, sometimes depicting the body part which had been cured. The site also had a 6000 seat theatre (340-330 BCE) which is the best preserved theatre in Greece and still in use today.
Epiduarus was also the site of the pan-Hellenic Asklepieia festival, founded in the 5th century BCE and held every four years to celebrate theatre, sport, and music in honour of Asclepius. The site continued to be important in Roman times, and several buildings were added in the 2nd century CE under the auspices of the Roman senator Antonius. The sanctuary finally closed in 426 CE when emperor Theodosius II decreed the closure of all pagan sites in Greece.
Another important sanctuary in Asclepius’ name was in Athens, situated just below the acropolis on the western slope. Tradition said that a priest named Telemachos brought the god to the site in the form of a sacred snake in 419 BCE. Strabo also mentions that the oldest sanctuary to Asclepius was at Tricca, where in some accounts the god was born, but the site has never been discovered. Messene does, however, have important archaeological remains attesting to the popularity of its Asclepian sanctuary in Hellenistic times. Other sacred sites were located on the island of Kos which also had an important school of physicians from the 5th century BCE, on, and at Tegea. The cult of Asclepius was also transferred to Pergamon sometime in the 4th century BCE, possibly by a healed patient at Epidaurus named Archias. Finally, in 293 BCE the Romans were said to have taken the sacred snake from Epidaurus to the Tiber Island in order to cure a plague, although there is evidence of the cult of Asclepius on the Italian mainland from as early as the 5th century BCE.
In ancient Greek art, Asclepius was portrayed in sculpture, on pottery, in mosaics, and on coins. Almost always, the god has a full beard, wears a simple himation robe, and holds a staff (the bakteria) with a sacred snake coiled around it. He is sometimes accompanied by Hygeia and occasionally has a dog at his feet, as these animals were sacred at some of the god’s sanctuaries. The god was also associated with three types of tree: the cypress, pine, and olive. Art works from as far afield as Dion, Kos, Athens, and Rhodes dating from the 4th century BCE to the 3rd century CE attest to the god’s widespread and long-lived popularity.
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- Carabatea, M. Greek Mythology. Pergamos, Peania, 2007.
- Charitonidou, A. Epidaurus. Clio, Athens, 1978.
- Hornblower, S. The Oxford Classical Dictionary. Oxford University Press, USA, 2012.
- Iakovidis, S.E. Mycenae Epidaurus. World Art Group, 1995.
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