Baekje (Paekche) was one of the Three Kingdoms which ruled over ancient Korea from the 1st century BCE to the 7th century CE. Controlling territory in the south-western part of the peninsula the kingdom was in constant rivalry with the other two kingdoms of the period: Silla and Goguryeo, and the neighbouring Gaya confederation. The Baekje kingdom was noted for its high culture, many aspects of which it exported to its ally Japan. However, when the Silla joined forces with China's ambitious Tang dynasty, the kingdom of Baekje was crushed and turned into a Chinese province before eventually being incorporated into the Unified Silla Kingdom.
The Foundation of Baekje
The Baekje kings considered themselves descendants of the Buyeo (Puyo) tribes of north-east Manchuria. The traditional founding date of the kingdom is 18 BCE according to the 12th century CE Samguk sagi ('Historical Records of the Three States'), but this is unlikely to be accurate. The same source informs us that the founder was Onjo, son of Chumong who had founded the Goguryeo (Koguryo) kingdom. Onjo and his brother Piryu established their capital at Wirye-song (modern Seoul). The name Baekje means 'rule over 100 people' indicating the first group of followers who migrated with Onjo.
Modern historians, however, credit King Koi (r. 234-286 CE) with founding the kingdom of Baekje and forming a centralised state. Koi established a cabinet of six officials (naesin) to administer the newly-centralised state and a system of officer ranks with 16 levels. Koi also sought to reduce state corruption in 262 CE by imposing triple fines and exclusion from office of any official caught of improper conduct. The kingdom prospered due to its fertile agricultural lands and grew through the acquisition of neighbouring territories such as the fortified towns of Mahan and the Taebang commando (the former Chinbon state) in 314 CE.
Eventually, an aristocracy of eight clans (Sa, Yon, Hyop, Hae, Chin, Kuk, Mok, and Paek) would dominate all official positions in the kingdom. The aristocrats were themselves divided into three levels and distinguished by the colour of their robes. At the top were the purple-wearing chwapyong (who formed the naesin cabinet), in the middle the scarlet tok ranks, and at the bottom the blue-robed mun-dok and mudok. Only members of a particular level could access certain positions in the government administration. The higher officials wore silk caps with silver flowers while the king had a similar hat but with gold flower decoration.
In the provinces, local chiefs ruled over villages which were also overseen by a state-appointed magistrate (kunjang). The majority of the population were farmers, and they were expected to pay tribute to the state, sometimes even offer their labour or perform military service. Below the peasant class were slaves (mostly prisoners of war and criminals) who served on the estates of the aristocracy.
Chinese & Japanese Relations
Chinese influence is evidenced in the Baekje monarch's adoption of the title wang (king) from the late 3rd century CE. Other instances of Chinese influence are seen in education, writing (adapted to the Korean language), poetry, the arts, and burial practices, amongst others. Another area was the early popularity of Taoism and, even more so, Confucianism. In 384 CE, during the reign of king Chimnyu, Buddhism was adopted as the state religion by the Baekje kingdom after it was introduced there by the Indian ir Serindian monk Marananta. This replaced the former belief system based on the idea that the king was a son of God. Similarly, Baekje culture was exported abroad, especially via teachers, scholars and artists travelling to Japan and with them went Chinese culture such as classic Confucian texts but also elements of Korean culture, for example, as seen in the wooden buildings constructed there by Korean architects.
Expansion & Rivalries
The 4th to 6th centuries CE saw a long-standing and bloody rivalry with the other two kingdoms of the peninsula: Goguryeo and Silla. The Baekje king Kun Chogo (r. 346-375 CE) conquered the Mahan federation and attacked Pyongyang, killing his Goguryeo counterpart king Gogugwon in 371 CE. During Chogo's reign diplomatic and cultural links were established with the Chinese Eastern Jin dynasty and the Wa (Wae) in Japan. There is evidence that the Wa was actually a feudal state ruled by the Baekje kings who now possessed a modern sailing fleet and controlled the lucrative trading areas around the Yellow and South Seas. Kun Chogo also established inheritance of the throne in the male line, established the convention that queens were selected from the Chin family, and gave a scholar named Kohung the task of writing the Sogi, a history of Baekje, in 375 CE. Unfortunately, the work has not survived but is is referenced in the later Samguk sagi.
The Baekje kingdom covered the south-western half of ancient Korea but was constantly rebuffed by the more dominant Goguryeo. In 475 CE an attack from the northern kingdom resulted in the death of King Gaero (who had reigned from 455 CE) and the abandonment of Hansong (modern Gwangju), his capital. A new capital was established (475 CE) at Ungjin (modern Gongju/Kongju) but was replaced by the more favourably positioned Sabi (modern Buyeo/Puyo) in 538 CE. The kingdom was redivided into 22 regions or tamno, with each governed by a member of the royal family.
Baekje formed an alliance with the Silla kingdom between 433 and 553 CE and enjoyed its greatest period of prosperity, but this came to a dramatic and violent end when the Silla occupied the lower Han River valley. Then, in a battle at Kwansan-song Fortress (modern Okchon) to reclaim their lost territory, the 30,000 strong Baekje army was defeated and King Song (r. 523-554 CE) killed.
In the following century, the Baekje and Goguryeo kingdoms joined forces against the Silla and went on the offensive, taking Taeya-song (modern Hapchon) in 642 CE and around 40 border fortresses. The following year Baekje captured Tanghang-song, which was a vital Silla link with China. The Silla, though, now had concrete support from the Chinese Tang dynasty (618-907 CE) who saw an opportunity to advance their interests in Korea and conquer the weakened Baekje and Goguryeo kingdoms. Baekje failed to tempt aid from Japan and could not prevent the fall of Sabi when the kingdom was attacked by land and sea in 660 CE. A Silla army of 50,000 led by the general Kim Yushin and a naval force of 130,000 men sent by the Tang emperor Gaozong proved more than enough to crush the Baekje army. Uija (r. 641-660), who turned out to be the last Baekje king, was taken prisoner and shipped off to China along with 12,000 of his compatriots.
There was brief hope of a revival when rebel forces finally persuaded the Wa of Japan to intervene with a 30,000 man army, but this was wiped out by a joint Silla-Tang naval force on the Paekchon (modern Kum) River. Over the next few years rebel Baekje forces did harass cities and even laid siege to Sabi and Ungjin but they were beset with leadership in-fighting and were finally crushed in 663 CE. The Baekje kingdom, thereafter, became a Chinese province.
The Silla eventually took over the entire peninsula and became known as the Unified Silla Kingdom, but following their slow collapse from the end of the 9th century CE, the state of Baekje, now known as Later Baekje to distinguish it from its predecessor, briefly rose again. The new state was founded in 892 CE by Kyon Hwon, a peasant leader, but soon succumbed to the more powerful Later Goguryeo state which would itself morph into the much more enduring Goryeo Dynasty (918-1392 CE).
Baekje Art & Architecture
The art and architecture of the Baekje kingdom are generally considered the finest of the Three Kingdoms, but unfortunately for posterity, these have also suffered the greatest destruction thanks to warfare with the Silla, Goguryeo, and China over the centuries. One notable artistic contribution of the Baekje kingdom is their tiles decorated with fine landscape paintings. Also in the field of ceramics, Baekje potters produced two distinct types of wares: high-fired stoneware and low-fired pottery light brown in colour. Bulbous jars, footed vessels, and tripods are common shapes. A typical Baekje decoration is the use of check stamps. Another product of the potter was roof tiles decorated with lotus petals. Baekje sculpture is perhaps best seen in gilt-bronze statues of the Buddha and the carved stone cliff faces such as at Sosan.
Regarding architecture, the 7th-century CE Miruk temple at Iksan (now lost) was built by King Mu (r. 600-641 BCE). It was the largest Buddhist temple in East Asia and had two stone pagodas and one in wood. One stone pagoda survives, albeit with only six of its original 7-9 storeys. The only other surviving Baekje pagoda is also of stone and located at the Chongnim temple at Buyeo. Finally, elements of Baekje architectural design can be seen in many surviving wooden buildings in Japan as a great number of Baekje craftsmen went there when Wa Japan was an ally.
Baekje tombs were first pyramid-like structures made of stone, sometimes with the deceased placed inside two ceramic jars positioned mouth-to-mouth but, under the influence of China, these structures evolved into brick and stone-chambered tombs covered in earth mounds. Many of the interior walls were painted with murals. Perhaps one of the most impressive tombs is that of King Muryeong-Wang (r. 501-523 CE) which, within its huge earth mound, has a semi-circular vault lined with hundreds of moulded bricks, many decorated with lotus flower and geometric designs. The structure, located near Gongju, dates to 525 CE, as indicated by an inscription plaque inside the tomb. The queen joined her husband within the tomb in 529 CE.
Despite the exception of Muryeong's tomb, the horizontal entrances of Baekje tombs made their looting much easier than the fully-enclosed tombs of the Silla. As a result, there are, alas, frustratingly few outstanding surviving artefacts from one of Korea's most distinguished kingdoms. However, one superb piece which has survived as testimony to the skills of Baekje artists is the gilt-bronze incense burner from near Sabi, the only such example from ancient Korea. The foot is in the form of a dragon and supports a mountain in the shape of an egg which is decorated with heavenly beings and clouds. The whole is topped by a lid decorated with a phoenix.